REPRESENTASI DISABILITAS DALAM PUPULAN GENJEK RWA BHINEDA KARYA I KETUT MASIR (ANALISIS WACANA KRITIS NORMAN FAIRCLOUGH)

Abstract

The oral tradition of Genjek Rwa Bhineda with the topic of disability by I Ketut Masir becomes a medium for DPD Pertuni Bali Province to socialize on issues related to identity, romance, and other life problems. Through his Pupulan Genjek, I Ketut Masir tries to offer negotiations to the sighted individuals regarding disability issues in his daily life. He presents various life problems in different forms of representation. The representation implied in his Genjek is analyzed using Norman Fairclough's Critical Discourse Analysis methodology. The language used is not just a means of communication but as an instrument to achieve the group's objectives. The songs created by Masir represent the misperception of self-identity that occurs within the internal personalities of persons with disabilities. This happens due to symbolic violence from the majority group that is received simultaneously in various forms. The proposal offered is to break symbolic violence in multiple forms in the field through solidarity. This can be achieved by solidarity efforts between persons with disabilities, sighted individuals, and the government.