Semiotics in John Edmond’s “The Last Word in Rhodesian” Song

Abstract

The exploration of literature transcends the boundaries of written
texts, encompassing a diverse array of expressions, including
spoken or sung compositions like song lyrics. While on the
surface, songs may seem to convey straightforward messages,
beneath it lies a labyrinth of symbols and nuances that beckon
listeners to interpret. This interpretive process demands a
nuanced understanding and a willingness to explore the depths of
lyrical expression. This research aims to unravel the significance
of each letter in the word "RHODESIA" and to unravel the
intricate composition of the portmanteau "Rhodesian" within the
lyrics of John Edmond's ‘The Last Word in Rhodesian’ song
using Ferdinand de Saussure's dyadic model of semiosis and
employing qualitative research methodology with historical
approach. Through meticulous analysis, the findings reveal the
profound symbolism interwoven within the lyrics, which serves
to encapsulate the historical essence of Rhodesia. The songwriter
adeptly utilizes the arrangement of each letter in the word
"RHODESIA" to encapsulate phrases emblematic of the
Rhodesian Bush War and alluding to the names of significant
Rhodesian figures; Rhodes and Ian, symbolically forming the
word “Rhodesian”. In doing so, the song becomes a poignant
tribute to the complex tapestry of Rhodesian history.